Tuesday, 7 January 2020
Wednesday, 29 August 2018
Monday, 6 August 2018
This is a modern interpretation of that idea. Installed in an interior wall, it doesn't need to open for venting, but shows off the variable effects of light through a stained glass window very effectively.
Monday, 14 August 2017
My wife really likes the bathroom doors, but was quick and clear to state that she didn't want light coming through the bedroom door! Oh. I was literally back at the drawing board.
So I worked up an idea I had been thinking about as a variation on glass doors. Using 3mm (1/8") thick birch plywood with the traditional zinc channels (called "cames" in the stained glass industry) used for leaded glass, I could make a panel to insert into the door that was opaque and had many options for design. The final design included copper and zinc cames along with an opaque black glass with the stained and varnished wood.
Thursday, 2 March 2017
Saturday, 22 August 2015
"Frameless" glass showers have become the new standard in elegant glass installations. I recently familiarized myself with some of the the techniques and options available for several installations that I was contracted to do.
With a variety of engineered "glass clamps", hinges, stabilizing hardware and tempered glass, a wide variety of designs can be realized. These installations allow the tile, stone and etched glass to be enjoyed from inside and outside the shower area.
I recently installed glass in three showers (two with no etching on the glass), using these techniques. One is a "neo-angle" design (a corner installation with the door set at a 45 degree angle to the walls) with a steam option that required floor to ceiling glass.
Here's a detail photo of the stabilizing posts:
While those two installations did not have any etching on the glass, I did exercise my affection for Great Blue Herons once again, in the third installation.
The pebbled stone floor works well with the heron, reeds and water design, the etching contrasting well with the dark tiles on the walls.
The reeds and feathers were delicately etched on the surface of the tempered glass using the sandblast etching process, creating a layerd effect. A soft surface texture was achieved by using a fine abrasive, resulting in a permanent image that is easy to keep clean.
The new hardware available for frameless glass showers allows me more options to offer clients, expanding on the techniques I have learned over twenty-five years of creating glass designs.
Tuesday, 25 February 2014
As a lament for lost ideals, 'Lost at Sea' includes images from past civilizations and a representation of our own culture's slide into the abyss of lost direction.
The white glass pieces with engraved 'runes' (from a forgotten Scandanavian culture) and the pyramid forms (from the long past Egyptian civilization) represent past times and lost ideals. Carved into these pyramidal forms are three concepts that have been abandoned by our grasping and gasping post-post-industrial culture:
-Eros: (represented by a mermaid) The loss of appreciation for the mythical, mystical, exotic and erotic, debasing these human drives in xenophobic and pornographic distortions.
-Justice: The 'balance' of right action, right thought and right emotion has been lost in economics, ecology and the social connection of all humanity.
-Chaos: (represented by a cumulonimbus cloud of life giving rain (and sometimes life threatening force). The loss of the humble appreciation that we cannot know and control all things from the limited knowledge of our materially based cultural constructs.